HERITAGE IDENTITY CONSERVATION OF THE WOODCARVING PLACEMENT AND DESIGN COMPOSITION TYPOLOGIES ON JOHOR MALAY HOUSES

Authors

  • Hanita Yusof Faculty of Civil Engineering and Built Environment UNIVERSITI TUN HUSSEIN ONN MALAYSIA
  • Fawazul Khair Ibrahim Faculty of Built Environment & Surveying UNIVERSITI TEKNOLOGI MALAYSIA
  • Raja Nafida Raja Shahminan Faculty of Built Environment & Surveying UNIVERSITI TEKNOLOGI MALAYSIA

DOI:

https://doi.org/10.21837/pm.v18i12.739

Keywords:

Wood Carving, Malay Woodcarving, Malay Woodcarving Motif, Limas Johor, Traditional House, Vernacular Architecture

Abstract

Woodcarving is a distinct heritage that can promote the identity of a region. However, current practices of using the design composition and woodcarving placement which do not belong to the local region pose a threat to the identity and authenticity of the original heritage. If such practices continue and the identity of the local heritage is not preserved and recorded, the traditional designs and local identity will eventually be lost. The objective of this paper is to identify the placements of woodcarving and the typology of design compositions of woodcarving which form the identity of the Johor Malay houses. Site visits were conducted to Limas Johor in which the wood carvings of 50 houses were examined, photographed and documented. Interviews were also conducted with the house owners or occupants, and the wood carvers. The samples were analyzed and the results were verified by experts. A total of 10 woodcarving placements and 23 typologies were discovered, drawn and coded. The findings of this research suggest that the typology combination of JT2-P5+KT7 of woodcarving represents the identity of Limas Johor houses. It is hoped that this study can bring recognition to Johor woodcarvings, contribute valuable guides for woodcarvers to apply these typologies into their future works to sustain and cherish the Johor local identity.

Downloads

Download data is not yet available.

References

Abu Bakar Yatim (2015). Komunikasi Peribadi. Tanjung Gading, Muar, Johor.

Hanita Yusof (2018). Identiti Ukiran Kayu bagi Rumah Limas Johor. PhD Thesis, Universiti Teknologi Malaysia.

Gurupiah Mursib dan Syed Iskandar Syed Ahmad (2016). Significance of Local Involvement in Continuing Local Architectural Identity. MIT-UTM Malaysian Sustainable City Planning Program.

Jenkins, W. (2010). Keeping the Traditions of Malay Woodcarving Alive: The mission of Akademi Nik Rashiddin. In Zawiyah Baba. (Ed.) Warisan Seni Ukir Kayu Melayu. (pp 59-66). ATMA, Universiti Kebangsaan Malaysia.

Kamarul Afizi Kosman (2012). Peranan Masyarakat dalam Pembangunan Identiti Seni Bina Kebangsaan. In: Bengkel Garis Panduan Identiti Seni Bina Kebangsaan.

Mastor Surat (2012). Identiti Senibina Kebangsaan Melalui Pendekatan Senibina Warisan Alam Melayu. Dalam: Bengkel Garis Panduan Identiti Seni Bina Kebangsaan, 18-19 Disember 2012, The Royal Bintang Hotel.

Mohamad Tajuddin Mohamad Rasdi (2006). The Discontinued Traditions of Malay Wood Carvings in Modern and Post-Modern Architecture in Malaysia: Jurnal Alam Bina, Jilid 8, No.2, 2006. Universiti Teknologi Malaysia.

Mohamad Tajuddin Mohamad Rasdi & Kamarul Afizi Kosman (2005). Identiti Seni Bina Malaysia: Pengajaran daripada Gerakan ‘Art and Craft’ di Britain. Jurnal Alam Bina. 7 (1). pp. 31-48. Universiti Teknologi Malaysia. ISSN 1511-1369.

Norhaiza Noordin (2009). Ukiran Kayu Warisan Melayu. Perbadanan Kemajuan Kraftangan Malaysia. Mantera Communication Sdn. Bhd.

Norhaiza Noordin (2017). Komunikasi Peribadi. Seri Menanti Resort, Negeri Sembilan.

Nor Hayati Hussain (2015). Thoughts on Malaysian Architecture Identity and Design Principles of Malayan Architects Co-Partnership; Tesis PhD, UTM.

Silah, Sumardianshah, Basaree, R. O., Isa, B. dan Redzuan, R. S. (2013). Tradition and Transformation: The Structure of Malay Woodcarving Motifs in Craft Education. Procedia - Social and Behavioral Sciences, 90 (InCULT 2012).

Yilmaz, M. & Maz, M. (2006). Architectural Identity and Local Community. Ekistics, 73(436/441), 140-146. Retrieved from http://www.jstor.org/stable/43623731.

Zulkifli Hanafi (2007). Reka Bentuk Pola Hiasan dalam Bangunan Tradisional Melayu, Amber-Solara Publication.

Zulkifli Hanafi (2015). Seni Bina Melayu. In: Nuansa Ukiran Kayu Melayu. (pp. 17-29). Akademi Pengajian Melayu, Universiti Malaya.

Zumahiran Kamarudin & Ismail Said (2010). Placement of Carved Components in Traditional Timber Houses of Kelantan and Terengganu. Warisan Seni Ukir Kayu Melayu, 129-142.

Zumahiran Kamarudin & Ismail Said (2010). Carving Motifs in Timber Houses of Kelantan and Terengganu: Sustaining Malay Architecture Identity. Conference on Technology & Sustainability in the Built Environment, 235-256.

Downloads

Published

2020-05-10

How to Cite

Yusof, H., Ibrahim, F. K., & Raja Shahminan, R. N. (2020). HERITAGE IDENTITY CONSERVATION OF THE WOODCARVING PLACEMENT AND DESIGN COMPOSITION TYPOLOGIES ON JOHOR MALAY HOUSES. PLANNING MALAYSIA, 18(12). https://doi.org/10.21837/pm.v18i12.739

Most read articles by the same author(s)