PRESERVING INTANGIBLE CULTURAL HERITAGE: PLANNING FOR A DIGITAL AUDIOVISUAL ARCHIVES FOR SABAH AND WIDER BORNEO
DOI:
https://doi.org/10.21837/pm.v23i38.1852Keywords:
intangible cultural heritage, preservation, audiovisual archives, Kota Kinabalu, SabahAbstract
The preservation of intangible cultural heritage (ICH), such as music, dance, language, indigenous law and other oral traditions and practices, is essential for peoples who are experiencing rapid culture change. This enables them to access and understand their cultural past as a valuable preparation for the future. Unlike tangible cultural heritage such as sites, monuments, and objects that can endure for centuries, intangible cultural heritage exists only momentarily. It is traditionally preserved in the minds of its practitioners. When these experts pass away, the intangible cultural heritage may be lost. This heritage can be preserved by its continual performance and by passing it on to the next generation, by writing it down through descriptive transcription, or by recording it. Various recording procedures have been used throughout the past century to record intangible cultural heritage, and today older analogue data can be digitised. But there are inherent difficulties in this process. This article examines the UNESCO Convention for Safeguarding the Intangible Cultural Heritage and issues arising thereof. It discusses processes of transcription and especially the recording of intangible cultural heritage. Finally, it proposes the planning and establishment of an audiovisual archives in Kota Kinabalu to preserve the intangible cultural heritage of all ethnic groups in Sabah and wider Borneo that will also ensure that the indigenous property rights of the people are preserved.
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